Wednesday, February 26, 2020
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framework radio

26 February 2020

phonography ::: field recording ::: the art of sound-hunting ::: open your ears and listen
  • #702: 2020.02.23
    sometimes i don't know what to say - this week's sounds are intense, an active, springy mix, maybe a reaction to the fact that winter never came this year (for us, here in estonia), or the fact that our house is currently full of family visitors and children's birthday's, or just because that's how the cards fell. anyway, have a listen. we suspect (and hope) you won't regret it. [...]
  • #701: 2020.02.16 [d.l. lutz]
    this edition of framework:afield has been produced in germany by architect, writer, sound artist and regular contributor d.l. lutz: "This is heavy weather! You better wear your best outdoor gear – warm and windproof… All these recordings are about storms – and to capture the energy of air proves to be a difficult task, but there are great recordings, some of which I want to present to you. So I invite you to listen to window joints under air pressure, to staircases, creaking trees in forests, creaking sailing ships, to the howling songs in building scaffoldings, to flagpoles, lonely animals on unprotected meadows, slamming doors and the rude open sea… And I invite you to get lost in bad weather, while you comfortably sit in your armchair with a pot of hot tea."
  • #700! 2020.02.09
    well folks, here we are: 17 years, 7 months, 3 weeks, and 5 days after our very first broadcast, we are airing our 700th radio show featuring the finest new and archival works from within the field recording community. 700 shows! that a lot. [...]
  • #699: 2020.02.02 [hong kong]
    this edition of framework:afield has been produced anonymously and features sounds from the ongoing democracy protests in hong kong. for more information about these protests see https://hkrev.info. [...]
  • #698: 2020.01.26
    our last regular edition before the big 700 features more sounds from the sono space label in the form of georgina canifrú's recordings from pubic spaces inside a music school, a great slab of cassette-weaned sound from howard stelzer, new sounds from south africa by the franco-aussie team of la casa and samartzis, weathered concrete constructions by chantal dumas, borrowed and found sounds by sari carel, and more sounds from the aporee soundmaps. [...]